Warning: This article contains spoilers fromAll of Us Strangers.

“We tried to use the idea of a ghost in a different way.”

It’s then revealed in the end that Harry is a ghost as well.

Paul Mescal and Andrew Scott in ALL OF US STRANGERS.

Paul Mescal’s Harry and Andrew Scott’s Adam in ‘All of Us Strangers’.Searchlight Pictures

When Adam finally makes peace with his grief, he returns to his apartment complex in search of Harry.

Harry drank himself to death that first night he showed up inebriated on Adam’s doorstep looking for companionship.

“In many ways, the whole film to me was a love letter saying, it’s okay.

Paul Mescal and Andrew Scott in ALL OF US STRANGERS.

Andrew Scott and Paul Mescal in ‘All of Us Strangers’.Searchlight Pictures

It’s quite hard.

“You might lose it again, but you might find it again.

And it doesn’t vanish forever.

That’s important to me.

That’s where it is all about love at the end.”

“There’s something in Andrew’s filmmaking.

Haigh shares that he doesn’t quite care for the logic of the story behindAll of Us Strangers.

He doesn’t care about, “What’s real or what’s not?”

to which she responds, “Does it feel real?”

“It’s about the emotional feeling that you get from it,” Haigh says of the film.

“That’s the key.”

Scott, speaking separately for an upcoming episode ofEW’sAwardistpodcast, agrees.

“I feel very strongly that the film is like a dream,” he explains.

I don’t think you go, ‘What happened in the dream?

Let’s rewind it.’

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