Brosnan returns to the world of spycraft in Steven Soderbergh’s new thriller.
Keith Hamshere/Getty; Focus Features
Pierce Brosnanis shaking and stirring up his role in the world of espionage.
“And I think Steven’s definitely enjoying playing with that.”

Credit:Keith Hamshere/Getty; Focus Features
“I really wanted him to do it,” the director says.
He’s not being told where to go and what to do.
He’s the boss telling other people where to go and what to do.

Michael Fassbender in ‘Black Bag’.Claudette Barius/Focus Features
And he seemed to enjoy it."
“I needed somebody that you would believe could rattle Michael Fassbender,” he explains.
“One of the things I said to Pierce before we started is, ‘You never sit down.

Michael Fassbender, Tom Burke, and Pierce Brosnan in ‘Black Bag’.Claudette Barius/Focus Features
You make other people sit down.
You are always standing, and you are always moving.
They felt like they were back in school.”

Rege-Jean Page, Naomie Harris, and Michael Fassbender in ‘Black Bag’.Claudette Barius/Focus Features
But he’s just a really, really nice man.
And obviously bringing that legendary status to the film."
“Because we’ve researched for these films in the past.

Cate Blanchett in ‘Black Bag’.Claudette Barius/Focus Features
We researched with some real secret service agents for this film.
It’s very much about getting people to trust you as much as anything else.”
“It’s not about blowing things up and doing things yourself,” Page continues.

Rege-Jean Page and Michael Fassbender in ‘Black Bag’.Claudette Barius/Focus Features
It’s very much about that power of manipulation in this film."
[They’re] the brains behind the operations, if you like.
This was very intentional, stemming from David Koepp’s script and Soderbergh’s direction.

Naomie Harris and Cate Blanchett in ‘Black Bag’.Claudette Barius/Focus Features
In his research, Soderbergh was struck by how much psychology and interpersonal relationships dominate spycraft more than technology.
“It’s the human intel part of it that is very significant,” he notes.
you could’t pretend to be somebody that you’re not anymore.
That just doesn’t work."
So I love that idea that technology has brought spycraft back to an older version of itself."
“Spy literature has always been about loneliness,” Page says.
I don’t think that’s changed very much. "
“Pierce wanted his suits,” says Soderbergh.
“He’s like, ‘I want all these suits.’
So that’s always a good sign.”
Black Baghits theaters on March 14.